Tag Archives: Cultural Policy

CUBAN GOVERNMENT CALLS OFF TALKS WITH ARTISTS

 Original Article, Havana Times, December 4, 2020

By Circles Robinson

Cuban artists after the late-night encounter and initial accords for dialogue with the vice minister of culture Fernando Rojas early on November 27th. Photo: 14ymedio

HAVANA TIMES – The Ministry of Culture, announced today it would not honor its agreement for a dialogue with Cuban artists. The Communist Party currently carries out a massive media campaign to paint artists critical of government policy as “mercenaries”. They are also holding “seminars” at workplaces to reinforce the accusations.

The government had already backtracked in less than 24 hours on the other accords reached between the vice minister of Culture and hundreds of artists in the wee hours of November 27th. These included a truce in the harassment and criminalizing of independent artists and journalists, and police restrictions on their mobility.

The reasons for reneging on the agreements

The Ministry of Culture said today it would no longer meet with the artists. It alleged: “they have direct contacts and receive financing and logistical support from the US Government and its officials.”

Furthermore, the Ministry blames the artists for its backtracking on the dialogue for including participation of members of the San Isidro Movement (MSI).

It was that Movement, a week long hunger strike, and the nighttime State Security assault on their headquarters on November 26th, which led to a spontaneous day-night sit-in of hundreds of people from the Cuban cultural world the following day at the gates of the Ministry of Culture.

Late that night vice minister Fernando Rojas finally met with a delegation of 30 artists including some MSI members. To diffuse the tense moment, Rojas promised a dialogue for the coming week to discuss issues and concerns.

The Ministry statement published in the official press today justified their reneging on their promise. “The inclusion of persons who for a long time, have violated patriotic symbols, committed common crimes and made direct attacks on the Cuban Revolution under the guise of art, is what led to breaking off any possibility of dialogue.”

The Castro-Diaz Canel government maintains that any criticism of their policies, laws and leaders originates from the United States. According to them, no Cuban has a right to criticize a government that only acts to benefit the people. Furthermore, for decades they maintain that the US embargo is the cause of all their failed economic policies.

The policy of dealing with artists and writers dates back to 1961

The Ministry said its doors were open, “as always”, to those artists who are not committed to the enemies of the Cuban nation.

Back in 1961, Fidel Castro set what is still government cultural policy. He said that all cultural expression that supports the Revolution would be permitted.  In official lingo, the Revolution, Communist Party, leaders and the government are all one and the same.

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AMAURY PACHECO FROM CUBA’S SAN ISIDRO MOVEMENT SPEAKS on the incredible day/night of November 27th at the Ministry of Culture in Havana.

Havana Times. December 8, 2020

Original Article

Amaury Pacheco a founding member of the San Isidro Movement

HAVANA TIMES – After the meeting between Vice-Minister of Culture, Fernando Rojas, and 30 representatives of hundreds of people present at the protest outside the Ministry of Culture – on November 27th – Amaury Pacheco, a founder of the San Isidro Movement (MSI), shares his experiences. He explains the meaning recent developments have had for the Movement, Cuban civil society and the future of these interrelationships.

HT: How did this process unfold? What came out of it?

Three vice-coordinators were at our houses under the siege of police patrol cars. Likewise, the people at the Movement’s central point – San Isidro and Damas Streets, in Old Havana.

We circulated information via different channels: Exchanging what was happening to everyone during this home arrest?

Things got heated when the MSI’s base was attacked [on the night of November 26]. Members of the military dressed up as doctors, wearing white coats. They broke into the space. Those present at the Base say that they were beaten. A set-up that nobody sees.

They were removed from the house under the suspicion of having COVID-19, when Carlos Manuel Alvarez, a journalist arrived on the scene, who said he came from the US.

The police withdrew from outside our homes when they went to attack our Base.

We found out that a group of Theater and Movie artists were planning to organize a peaceful protest outside the Ministry of Culture. Creating a powerful critical mass. Calling on people to come.

I said: “… they are coming together for Freedom of Expression, for what happened at San Isidro. Asking to enter a dialogue with the Ministry of Culture. I’m going!”

It was around 5 PM. Over 200 people were shouting in chorus. There was a joyful atmosphere, but there was also a lot of determination.

I was really happy to see this. We realized that what had happened in San Isidro awakened people in a way that was bigger than us.

Seeking connectedness and new spaces

The San Isidro Movement seeks Connectedness. For different spaces to open up. For people to connect with one another based on their personal experiences, techniques and peaceful means of social struggle.

We arrived and there was a list. It included Michel Matos, Aminta D’Cardenas, Claudia Genlui and Catherine Bisquet, who doesn’t belong to the Movement, but was one of the people holding a hunger strike at MSI’s base. I wasn’t included, but because I form part of the Movement, I was added in the end. This was agreed in a democratic way. I didn’t even take part.

I was surprised to see artists linked to state institutions, who don’t normally take part in these things, as it could have repercussions on them.

Some points were written down, from more general to more specific points. We talked about FreeDenis, one of MSI’s main demands, and everybody there agreed. It wasn’t MSI that brought this to the table. We joined and formed part of this Coalition.

#FreeDenis and then calling off the Hunger Strike, were our proposals for the dialogue: following protocol. Getting Luis Manuel Otero back home, his house [the MSI base] is shut off and taken over.

A wide variety of concerns and demands

There were representatives from the different arts and they all had their own struggle. Theater/Movie/Visual artists, were vindicating important agendas for independent spaces. They insisted on the need for structural change in artistic institutions.

Civil demands in general: freedom of speech, the right to dissent, to create freely, the end of state harassment, defamation and no more police violence, no more political hate, and so on.

MSI promotes cultural rights, freedoms, so the dialogue was in sync with our own objectives.

Yunior Garcia Aguilera, somebody with a lot of talent and charisma, managed to organize that conversation and laid the groundwork for the dialogue with the Ministry.

We were there since around 10 AM and we weren’t seen until 11 PM. The Minister never showed.

What happened inside the Ministry

The Delegation went in: 30 people talked to the Vice-Minister. They didn’t want to accept some people, but we really struggled and MSI got its foot in the door.

The dialogue couldn’t be broadcast live, because our cellphones were taken. It became a secret space, but we have different versions of what happened from everybody who was there.

It was a frank, cutting, straight-to-the-point conversation. We told the Government everything that was on our minds, the need for Civil Society, a Constitution and how the Government needs to abide by it. About Decree-Laws 349 and 370, which have created an earthquake.

Decree-Law 349 criminalizes the dissemination and promotion of art. Decree-Law 370 criminalizes social media communication.

Our Movement knew this wasn’t the time to discuss certain issues, but it was an opportunity that had never existed up until now. That the State took upon themselves to open institutions to a dialogue with groups they call counter-revolutionaries, dissidents, but they are just independent in reality.

Letting them know we are not afraid

The Government played this card. They told International Opinion that “there is an ongoing dialogue with the MSI, but not directly.”

The way we shared and responded to the vice-minister was truly impressive. It reminded me of shoals of fish moving altogether at the same pace. There was an inner beating, regardless of our different demands.

A powerful will to tell them that we weren’t AFRAID. That the over 400 people outside weren’t afraid. The people with whom we had reached an agreement for this dialogue and with whom we would have to speak with afterwards.

This generation has shaken off its fear, just like we have to do what we do. It’s a great thing on a national level and proof that there is social discontent in Cuba.

The State isn’t controlling everything that happens, it’s just not true. There is social debilitation, though. We need political change, yes, a strategic change on how to build the nation.

Everything outside was said out loud. Everyone agreed with these demands.

We broke our fear. We looked at each other, acknowledged each other and spoke. That was the power there. We opened the door, so the Government had to sit down and talk under pressure. The people were determined, “We won’t leave until…”.

San Isidro had ignited the flame that connected many people.

Practing what we want for the country

There were many artists, but we were talking about citizenship, individual rights, social rights, human rights, not just cultural rights. Comprehensive issues, but key issues.

We practiced what we want for the country. It was a dangerous action, like the human body: muscles, mind, neurones, everything moving for a specific action. It’s what we practice in San Isidro, and it managed to awake citizens.

Being a person – an important part – practicising citizenship, reflects the other parts. They don’t work on their own. People are the most human thing that exists. Individuals with their own things, own way of doing things, getting places, moving forward with their lives. Citizens facing laws, how it orders them, their place in the current hierarchy, in society.

This point about citizenship and exercising democracy, of reaching a consensus, is very important. It is something that this generation truly has. If you are under the yoke of totalitarianism, a wisp of democracy can appear. We all came to an agreement. Coming up with agendas that we can all push together, and not via a hierarchy or dictatorial space.

There wasn’t a dialogue with MSI. We took part in something a lot larger, civil society speaking, saying: “…we want to take your points to the table because they are important, somebody is dying.”

Filmmaker Fernando Perez was an important witness

Fernando Perez, a well-respected filmmaker, was also at the table. He said that he wouldn’t speak, but watching everyone say their piece, he also decided to say a few words. This was important because it made the involvement of different generations clear. Every generation has its own social history in Cuba, with very specific characteristics.

The Vice-Minister said that they could find a solution for demands within the artistic and cultural sector, but there were other demands that needed to be talked over with other institutions, and he made a note of this. He said that everything depended on processes.

Connections were made for meetings, a platform for dialogue with some of the arts. General issues would be discussed at a later date, when they could be looked over with the Minister.

Press conferences would be held about what happened there because “… we owe it to the people outside.”

Many followers of the tense developments at San Isidro’s base, felt like the Movement had ended and this isn’t true.

Channels of domestic politics in Cuba are very slow. If you don’t have a position in the public space and spaces of pressure, there isn’t anything that allows you to sit down at the negotiations table.

The agreements made

The agreements we made by the time we left, included: A channel of dialogue with cultural institutions. Address the issue of Denis Solis Gonzalez and Luis Manuel Otero Alcantara “urgently”. Independent artists can meet without being harassed, among other points, such as the safeguard of going home that night without suffering police harassment.

The Government says: “We don’t work under pressure.” So we have to pressure them; they pressure us all the time. In the meeting, a young woman said: “We aren’t here to pressure you, we are here to give you a chance to enter a dialogue and change what’s happening.”

It was like saying: We are giving you a chance to renew your own foundations… because this is going to go ahead regardless. It’s going to be huge… and you won’t be able to stop it. You are rusty as a State. You don’t understand what is happening. New generations don’t understand these dated procedures.

The government will renege on this meeting, but it really has changed Cuban reality. We know that it is being replicated in Matanzas. It could even explode on a national level.

Manipulation and back-tracking

The Government has manipulated everything in its official account of events.

What happened in that room hasn’t had a historic precedent in these past 60 years.

San Isidro has its own list of proposals, which haven’t ended: Luis Manuel and Maykel Osorbo held a hunger strike. San Isidro has very clear strategies. Our reports are clear on our social media pages.

MSI has gained many followers with successful campaigns. Ever since Decree-Law 349 was announced, as well as all of the attacks against Luis Manuel have become successful campaigns, because of what we have done.

I’m grateful to these people – many young people – who said: ENOUGH! and chose to stand outside the Ministry. We know what happens to people who speak openly in Cuba’s public space. The street is the Communist Party’s private property. Public spaces are pretty much closed off.

Recent events have opened-up a space forever. Many other things can be pushed forward. It’s happening as we speak.

Note: *During this interview, we learned that Luis Manuel Alcantara was under arrest in a hospital. His location had been unknown.

Also read this followup article when days later the governernment backed out of future talks.

 

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CUBAN GOVERNMENT RENEGES ON RIGHTS DIALOGUE WITH ARTISTS

By Sarah Marsh

Reuters, December 4, 2020.

Original Article: Reneges on Rights Dialogue

HAVANA (Reuters) – Cuba’s Communist government on Friday reneged on its promise to dialogue with artists calling for greater freedom of expression, saying it disagreed with their conditions for the meeting and would not negotiate with “enemies of the Revolution”.

The government had agreed to holding the talks last Friday when hundreds of Cubans staged a rare sit-in outside the culture ministry to protest a raid on the headquarters of dissident artist collective the San Isidro Movement, protest repression more broadly and call for greater freedoms.

While far from a mass mobilization, such rights protests are highly uncommon in the one-party state that is usually quick to crack down on public dissent. The protest illustrated a strengthening of civil society in recent years in part thanks to the rollout of mobile internet that has fostered greater flow of information and enabled people to mobilize more easily.

The sit-in was also unusual in that it brought together self-denominated “artivists” with mainstream artists like actor Jorge Perugorria and pop star Leoni Torres and less well known creatives who do not usually comment on politics, demonstrating a broad unease.

The group of 30 artists, activists and journalists that culture ministry officials agreed to meet with during the sit-in asked for them to be present at the official dialogue they had agreed this week.

But the culture ministry said on Friday it would “not meet with people who have direct contact and receive financing, logistical support and propagandistic backing from the U.S. government”.

The state, which has a monopoly of mass media, has this week waged an all-out rhetorical campaign against them, saying they like other dissidents are mercenaries backed by old Cold War foe the United States seeking to destabilize the one-party state.

State newspapers have denounced the “imperial reality show” and “San Isidro Farce” while evening broadcasts have attacked individual members and linked the crew to alleged calls on social media for terrorist acts.

Members of the crew say the government is trying to discredit them and split them from the rest of the artists. They say they have been prevented from leaving their homes by security forces this week, detained if they did and interrogated.

But the broader group that met with culture ministry officials on Nov. 27, and that now goes by the acronym 27N, issued a statement on Friday stating they were using only “pacific” means to call for their rights, did not respond to interests of foreign governments and aspired to “an inclusive and democratic society.”

A Reuters factcheck found that two social media posts showing shops set on fire and alleging these were terrorist acts committed this week actually took place in February 2020 and December 2008.

Cuba expert Ted Henken at Baruch College in New York said that ultimately what is up for debate is the country’s longstanding cultural policy, based on the famous words of revolutionary leader Fidel Castro to artists and thinkers in 1961 proclaiming “within the revolution, everything; against the revolution, nothing”.

“The government has always been able to separate marginalized activists and the ones that are blessed and controlled by the system,” he said. “It’s deeply significant that this separation was collapsed by this sit-in. This has a much broader base than previous protests”

 

 

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